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Amanda Jane West Art

Amanda Jane West- mountain art - the Spirit of Place is always my starting point.

GreenSummerEscape

Amanda Jane West Art

mountain artist in Klosters, Switzerland

the spirit of place is always my starting point

on the easel today #africansunrise @jumeirahthandasafari #kwazulunatalsafari #wildlifepainting

on the easel today #africansunrise @jumeirahthandasafari #kwazulunatalsafari #wildlifepainting

“Don’t Blink”
oil on canvas 80cm x 120cm x 4cm
available

When the leopard looked up to gaze at us I glimpsed the whole universe in a moment. A chance encounter near Setara in Kruger, a tail flicking in a sausage tree. #axismundi #sacredmoment

“Perhaps it’s an early memory that stays firmly planted, or an unexpected swell of awe, or a fleeting but deeply felt connection. These experiences can become fixed points, poles around which parts of us will always turn, orbiting again and again around the truth that lies at their center.”

“One of my favorite questions to ask people is whether they experience the sacred in the living world. Everyone I have ever put this question to has, near-immediately, answered “yes,” even if they would not call themselves spiritual or ever employ the word sacred. The affirmative answer to that question is also always paired with a specific place or experience. I’ve heard countless stories of what I’ve come to think of as axis mundi experiences: encounters that have pulled someone into a deep experience of felt belonging upon the tiny bit of Earth that they find themselves upon.”

“I define “sacred” as that which pulls us beyond the bounds of our individual selves, envelops us within mystery, and gives us a glimpse into the vast, entwined, eternal network of living beings that we are in relationship with. A simpler way of saying it: the moments when we are most fully human via our awareness that we are fully entangled, down to our nuclei and electrons, in the Earth and the cosmos. Such an orientation does not require a belief in God or gods. The living world can illuminate this understanding in the forms of awe and wonder, as well as in the forms of grief and loss.”

Axis Mundi
On place-based centers
CHELSEA STEINAUER-SCUDDER
NOV 16, 2025

“Don’t Blink”
oil on canvas 80cm x 120cm x 4cm
available

When the leopard looked up to gaze at us I glimpsed the whole universe in a moment. A chance encounter near Setara in Kruger, a tail flicking in a sausage tree. #axismundi #sacredmoment

“Perhaps it’s an early memory that stays firmly planted, or an unexpected swell of awe, or a fleeting but deeply felt connection. These experiences can become fixed points, poles around which parts of us will always turn, orbiting again and again around the truth that lies at their center.”

“One of my favorite questions to ask people is whether they experience the sacred in the living world. Everyone I have ever put this question to has, near-immediately, answered “yes,” even if they would not call themselves spiritual or ever employ the word sacred. The affirmative answer to that question is also always paired with a specific place or experience. I’ve heard countless stories of what I’ve come to think of as axis mundi experiences: encounters that have pulled someone into a deep experience of felt belonging upon the tiny bit of Earth that they find themselves upon.”

“I define “sacred” as that which pulls us beyond the bounds of our individual selves, envelops us within mystery, and gives us a glimpse into the vast, entwined, eternal network of living beings that we are in relationship with. A simpler way of saying it: the moments when we are most fully human via our awareness that we are fully entangled, down to our nuclei and electrons, in the Earth and the cosmos. Such an orientation does not require a belief in God or gods. The living world can illuminate this understanding in the forms of awe and wonder, as well as in the forms of grief and loss.”

Axis Mundi
On place-based centers
CHELSEA STEINAUER-SCUDDER
NOV 16, 2025

revisting leopard in a brighter bolder and more positive mood #ontheeaseltoday

revisting leopard in a brighter bolder and more positive mood #ontheeaseltoday

Smile Cloud over Klosters #happysky

Smile Cloud over Klosters #happysky

#loveistheanswer #heartbeats

#loveistheanswer #heartbeats

On the easel today- oil sketch on canvas- the road up to Berghaus Vereina. #summerinthealps #mountainartist #klosterschöntal #graubündensommer

On the easel today- oil sketch on canvas- the road up to Berghaus Vereina. #summerinthealps #mountainartist #klosterschöntal #graubündensommer

“To all my friends and relatives in Alcoholics Anonymous,” I began. “I say they were right to become intoxicated. Life without moments of intoxication is not worth a “pitcher of spit,” as the felicitous saying goes. They simply chose what was for them a deadly poison on which to get drunk.

“Good examples of harmless toots are some of the things children do: They get smashed for hours on some strictly limited aspect of the Great Big Everything, the Universe, such as water or snow or mud or colors or rocks or echoes or funny sounds from the voice box, or banging on a drum and so on. Only two people are involved: the child and the Universe. The child does a little something something to the Universe, and the Great Big Everything does something funny or beautiful or scary or even painful in return. The child teaches the Universe how to be a good playmate, to be nice instead of mean.

“And professional picture painters, who are what a lot of this made-up story is about, are people who continue to play children’s games with goo, and dirt, with chalks and powdered minerals mixed with oil and dead embers and so on, dabbing, smearing, scrawling, scraping, and so on, for all their natural lives.

“When picture painters become adults, and particularly if other people depend on them, they are likely to allow a third player, with dismaying powers to hold up to ridicule or reward grotesquely or generally behave like a lunatic, to join the game. It is that part of society which does not paint well, usually, but which knows what it likes with a vengeance.

“In any case, since the game goes well only when played by two, the painter and the Great Big Everything, three‘s a crowd!”

“My point is this. The most satisfied of all painters is the one who can become intoxicated for hours or days or weeks or years with what his hands and eyes can do with art materials, and let the rest of the world go hang.”

Kurt Vonnegut “Fates Worse Than Death”
#kurtvonnegut #fatesworsethandeath

“To all my friends and relatives in Alcoholics Anonymous,” I began. “I say they were right to become intoxicated. Life without moments of intoxication is not worth a “pitcher of spit,” as the felicitous saying goes. They simply chose what was for them a deadly poison on which to get drunk.

“Good examples of harmless toots are some of the things children do: They get smashed for hours on some strictly limited aspect of the Great Big Everything, the Universe, such as water or snow or mud or colors or rocks or echoes or funny sounds from the voice box, or banging on a drum and so on. Only two people are involved: the child and the Universe. The child does a little something something to the Universe, and the Great Big Everything does something funny or beautiful or scary or even painful in return. The child teaches the Universe how to be a good playmate, to be nice instead of mean.

“And professional picture painters, who are what a lot of this made-up story is about, are people who continue to play children’s games with goo, and dirt, with chalks and powdered minerals mixed with oil and dead embers and so on, dabbing, smearing, scrawling, scraping, and so on, for all their natural lives.

“When picture painters become adults, and particularly if other people depend on them, they are likely to allow a third player, with dismaying powers to hold up to ridicule or reward grotesquely or generally behave like a lunatic, to join the game. It is that part of society which does not paint well, usually, but which knows what it likes with a vengeance.

“In any case, since the game goes well only when played by two, the painter and the Great Big Everything, three‘s a crowd!”

“My point is this. The most satisfied of all painters is the one who can become intoxicated for hours or days or weeks or years with what his hands and eyes can do with art materials, and let the rest of the world go hang.”

Kurt Vonnegut “Fates Worse Than Death”
#kurtvonnegut #fatesworsethandeath

the quiet side of Venice
@venice.architecture.biennale @hotel_sant_antonin @trattoria_da_jonny #proudmamamoment❤️
@sbbcffffs #venedig

the quiet side of Venice
@venice.architecture.biennale @hotel_sant_antonin @trattoria_da_jonny #proudmamamoment❤️
@sbbcffffs #venedig

summer so far @davosklostersmountains
@myswitzerland
#inlovewithswiterland
#ineedswitzerland

summer so far @davosklostersmountains
@myswitzerland
#inlovewithswiterland
#ineedswitzerland

“A Toast to the Sweet Taste of Summer”(in the valley under the Unghürhörner Mountain)
oil on canvas tryptich
each 60cm x 60cm x 4cm

“But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.”

― Frédéric Gros, A Philosophy of Walking
#inlovewithswitzerland #graubünden #prättigau #saatchiartist #mountainartist #ineedswitzerland

“A Toast to the Sweet Taste of Summer”(in the valley under the Unghürhörner Mountain)
oil on canvas tryptich
each 60cm x 60cm x 4cm

“But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.”

― Frédéric Gros, A Philosophy of Walking
#inlovewithswitzerland #graubünden #prättigau #saatchiartist #mountainartist #ineedswitzerland

“Think Like a Mountain” process #neondreams #lifewithoutfantasies #lifewithoutfantasiesneondreams #freshofftheeasel #paintingoftheday #graubündenkunst #inlovewithswitzerland🇨🇭 #ineedswitzerland #alpinepainting #chaletstyle #chaletlife #chaletchic #thisartistslife #summerinthealps

“Think Like a Mountain” process #neondreams #lifewithoutfantasies #lifewithoutfantasiesneondreams #freshofftheeasel #paintingoftheday #graubündenkunst #inlovewithswitzerland🇨🇭 #ineedswitzerland #alpinepainting #chaletstyle #chaletlife #chaletchic #thisartistslife #summerinthealps

“Think Like a Mountain”
90cm x 90cm x 4cm
oil on canvas

“Your job in this framework is to rack up achievements, faster than others, sooner than most. But what if life is a fractal with interlocking images, with parts reflecting the whole? What if life is a web, where past and present and future melt into a rapturous immediacy, glimpses of which we perceive in heightened moments? What if you don’t have to beat yourself into shape? What if there is no outside force to which you must measure yourself? What if your questions, your imbroglios, and tooth-chips are just as sacred as “having it all together”? What if you are in the most interesting place you can be in now? This home that is a dance with exile?”

“This realization that there is no permanent home, no permanent ground, just rupturing places and condensing fields of welcome—only for a while—drives us to find new kin in plants and mountains and human others.”

These Wilds Beyond Our Fences: Letters to My Daughter on Humanity’s Search for Home (English Edition)
by Akomolafe, Bayo

“Think Like a Mountain”
90cm x 90cm x 4cm
oil on canvas

“Your job in this framework is to rack up achievements, faster than others, sooner than most. But what if life is a fractal with interlocking images, with parts reflecting the whole? What if life is a web, where past and present and future melt into a rapturous immediacy, glimpses of which we perceive in heightened moments? What if you don’t have to beat yourself into shape? What if there is no outside force to which you must measure yourself? What if your questions, your imbroglios, and tooth-chips are just as sacred as “having it all together”? What if you are in the most interesting place you can be in now? This home that is a dance with exile?”

“This realization that there is no permanent home, no permanent ground, just rupturing places and condensing fields of welcome—only for a while—drives us to find new kin in plants and mountains and human others.”

These Wilds Beyond Our Fences: Letters to My Daughter on Humanity’s Search for Home (English Edition)
by Akomolafe, Bayo

“Pas de Deux”
90cm x 90cm
oil on canvas
SOLD
#gladiolapainting #oiloncanvas #paintingoftheday

“Pas de Deux”
90cm x 90cm
oil on canvas
SOLD
#gladiolapainting #oiloncanvas #paintingoftheday

#ontheeaseltoday chillin’ with my best furry friend
#mountainartist @myswitzerland #mydreamjob

#ontheeaseltoday chillin’ with my best furry friend
#mountainartist @myswitzerland #mydreamjob

#snowdog #aussieshepherd #frisbeedog #dogmuse

#snowdog #aussieshepherd #frisbeedog #dogmuse

Winter’s White Waltz
oil on board
50cm x 40cm
framed in re-used old wood from the barns in Klosters
#winterscene #graubünden #mountainartist #davosklosters #paintingoftheday #inlovewithswitzerland #prättigau #klosterschöntal #whitechristmas #letitsnow #davosklostersmountains #graubündenkunst #saatchiartist #inspiredbynature #inspiredbyswitzerland #inspiredbymountains

Winter’s White Waltz
oil on board
50cm x 40cm
framed in re-used old wood from the barns in Klosters
#winterscene #graubünden #mountainartist #davosklosters #paintingoftheday #inlovewithswitzerland #prättigau #klosterschöntal #whitechristmas #letitsnow #davosklostersmountains #graubündenkunst #saatchiartist #inspiredbynature #inspiredbyswitzerland #inspiredbymountains

“SoftSlice of SilentSnowlight”
oil on canvas 80cm x 120cm x 4cm
#saatchiartist #davosklosters #mountainartist #graubünden #winterscene #oiloncanvas #paintingoftheday #coldplay #iaam #saatchiart #saatchiartist #prättigau #davosklostersmountains #alpineartist #chaletinteriors #chaletchic #swisschalet

“SoftSlice of SilentSnowlight”
oil on canvas 80cm x 120cm x 4cm
#saatchiartist #davosklosters #mountainartist #graubünden #winterscene #oiloncanvas #paintingoftheday #coldplay #iaam #saatchiart #saatchiartist #prättigau #davosklostersmountains #alpineartist #chaletinteriors #chaletchic #swisschalet

#wintersunset #mountainmagic #davosklosters #prättigau #inlovewithswitzerland #graubünden

#wintersunset #mountainmagic #davosklosters #prättigau #inlovewithswitzerland #graubünden

#autumninswitzerland #goldengraubunden #inlovewithswitzerland #klosterschöntal #davosklostersmountains #herbstfarben #michaelkiwanuka #floatingparade

#autumninswitzerland #goldengraubunden #inlovewithswitzerland #klosterschöntal #davosklostersmountains #herbstfarben #michaelkiwanuka #floatingparade

“Follow Rivers”
115cm x 65cm
pastel and acrylic on canvas

“Follow Rivers”
115cm x 65cm
pastel and acrylic on canvas

#ontheeaseltoday #firstbrushstrokes #inthestudio #paintingoutside #coloursketch #newcanvas #saatchiartist #summerinswitzerland #alpineartist #graubünden #klosterschöntal #davosklostersmountains

#ontheeaseltoday #firstbrushstrokes #inthestudio #paintingoutside #coloursketch #newcanvas #saatchiartist #summerinswitzerland #alpineartist #graubünden #klosterschöntal #davosklostersmountains

“Serenade to Spring”
50cm x 70cm oil on board framed
on exhibition at the Golf Club Klosters

“Serenade to Spring”
50cm x 70cm oil on board framed
on exhibition at the Golf Club Klosters

The “When We See Us” poster is displayed in prominent places all over Basel. I was curious to know if anyone recognized the jubilant person wearing the Arsenal cap.

“Do you know who the young man holding the birthday cake is?”

“No idea!”

“It’s Steve Biko!….do you know who he is?”

“Never heard of him.”

“Well go check out this incredible exhibition then- and you’ll find out!”

#basel #baselkunstmuseum #baselkunsthaus #whenweseeus #biko #stevebiko #gegenwartskunst #gegenwartbasel #esirierherieneessi #zeitzmocaa

The “When We See Us” poster is displayed in prominent places all over Basel. I was curious to know if anyone recognized the jubilant person wearing the Arsenal cap.

“Do you know who the young man holding the birthday cake is?”

“No idea!”

“It’s Steve Biko!….do you know who he is?”

“Never heard of him.”

“Well go check out this incredible exhibition then- and you’ll find out!”

#basel #baselkunstmuseum #baselkunsthaus #whenweseeus #biko #stevebiko #gegenwartskunst #gegenwartbasel #esirierherieneessi #zeitzmocaa

#summerreading #paragkhanna #futuristic

#summerreading #paragkhanna #futuristic

#freshcanvas #ontheeaseltoday #summerinswitzerland #mountainlife #mountainartist #graubünden #alpineartist #oilpainting #silvrettaglacier #klosterschöntal

#freshcanvas #ontheeaseltoday #summerinswitzerland #mountainlife #mountainartist #graubünden #alpineartist #oilpainting #silvrettaglacier #klosterschöntal

“Symphony to Summer”
70cm x 50cm -acrylic on board
#ifsummerwasasound @goldfishlive #summerinthealps @davosklostersmountains #prättigau #gadäwäg #saatchiartist

“Symphony to Summer”
70cm x 50cm -acrylic on board
#ifsummerwasasound @goldfishlive #summerinthealps @davosklostersmountains #prättigau #gadäwäg #saatchiartist

“Symphony to Summer”
50cm x 70cm
acrylic on board
#swissalpsinsummer #prättigau #gadäwäg #klosterschöntal #davosklostersmountains #paintingoftheday #saatchiartist #graubünden #graubündenkunst #alpineart #mountainart #ineedswitzerland

“Symphony to Summer”
50cm x 70cm
acrylic on board
#swissalpsinsummer #prättigau #gadäwäg #klosterschöntal #davosklostersmountains #paintingoftheday #saatchiartist #graubünden #graubündenkunst #alpineart #mountainart #ineedswitzerland

#ontheeasel #springday #paintingoftheday #springsky #inlovewithswitzerland #mountainartist #graubündenkunst #mountainmeadow

#ontheeasel #springday #paintingoftheday #springsky #inlovewithswitzerland #mountainartist #graubündenkunst #mountainmeadow

Rest in peace Gino Stefanutti.

Gino and Greta’s house in Stirling Crescent, Durban North, was my first design project as a newly graduated architect at Geraghty, Little and McCaffery Architects. Robin Geraghty told me at the time that I would never, in all my career, ever have a client as kind and as generous as Gino. He was absolutely right.

Rest in peace Gino Stefanutti.

Gino and Greta’s house in Stirling Crescent, Durban North, was my first design project as a newly graduated architect at Geraghty, Little and McCaffery Architects. Robin Geraghty told me at the time that I would never, in all my career, ever have a client as kind and as generous as Gino. He was absolutely right.

#myprocess #thisartistslife #oiloncanvas #spiritofplace #geniusloci #mountainartist #davosklostersmountains #inlovewithswitzerland #graubünden #prättigau #klosterschöntal #winterscene #paintingoftheday #saatchiartist #windsorandnewton #graubündenpur #davosklostersmountains #alpineart #davosklosters #

#myprocess #thisartistslife #oiloncanvas #spiritofplace #geniusloci #mountainartist #davosklostersmountains #inlovewithswitzerland #graubünden #prättigau #klosterschöntal #winterscene #paintingoftheday #saatchiartist #windsorandnewton #graubündenpur #davosklostersmountains #alpineart #davosklosters #

A fascinating read to complete the jigsaw puzzle of understanding what really happened during the years leading up to the 1994 South African elections, and how the decisions of this powerful man shaped all our lives.

My childhood home was a stones throw away from “Milkwood” - the Oppenheimer’s holiday villa in La Lucia, and I would often go and sketch the dunes and trees fronting onto Milkwood , sometimes having a peek into the garden via the “secret” beach entrance.

“The Oppenheimer empire was built on cheap black labour. Yet Oppenheimer emerges from this study not as a “malevolent monster” (p.1) but as a personally likeable individual, intensely loyal to his friends. One who was highly cultured and sophisticated, with a deep love of art, literature, old books and antiques for their own sake, rather than for opulent display.”

“This book does not offer a radical re-interpretation of either the Oppenheimers or the Anglo-American empire. But what it does do is to valuably complicate both our understanding of “white monopoly capital” and its relationship to liberalism in South Africa.”

From “Harry Oppenheimer biography shows the South African mining magnate’s hand in economic policies”

Roger Southall, University of the Witwatersrand

A fascinating read to complete the jigsaw puzzle of understanding what really happened during the years leading up to the 1994 South African elections, and how the decisions of this powerful man shaped all our lives.

My childhood home was a stones throw away from “Milkwood” - the Oppenheimer’s holiday villa in La Lucia, and I would often go and sketch the dunes and trees fronting onto Milkwood , sometimes having a peek into the garden via the “secret” beach entrance.

“The Oppenheimer empire was built on cheap black labour. Yet Oppenheimer emerges from this study not as a “malevolent monster” (p.1) but as a personally likeable individual, intensely loyal to his friends. One who was highly cultured and sophisticated, with a deep love of art, literature, old books and antiques for their own sake, rather than for opulent display.”

“This book does not offer a radical re-interpretation of either the Oppenheimers or the Anglo-American empire. But what it does do is to valuably complicate both our understanding of “white monopoly capital” and its relationship to liberalism in South Africa.”

From “Harry Oppenheimer biography shows the South African mining magnate’s hand in economic policies”

Roger Southall, University of the Witwatersrand

“Tumbling into Turquoise”
oil on board framed in re-used old wood from the barns in Klosters @retokradolfer
30cm x 40cm
AVAILABLE for sale @muellerfamilyoffice in Davos

“The mountain in summer had as many moods as there were days and weathers; the dullest rider, as well as his horse, felt these moods to the marrow of his bones. On a fair morning the mountain invited you to get down and roll in its new grass and flowers (your less inhibited horse did just this if you failed to keep a tight rein). Every living thing sang, chirped, and burgeoned. Massive pines and firs, storm-tossed these many months, soaked up the sun in towering dignity. Tassel-eared squirrels, poker-faced but exuding emotion with voice and tail, told you insistently what you already knew full well: that never had there been so rare a day, or so rich a solitude to spend it in. An hour later, thunderheads may have blotted out the sun, while your erstwhile paradise cowered under the impending lash of lightning, rain, and hail. Black gloom hung poised, as over a bomb with the fuse lighted. Your horse jumped at every rolling pebble, every crackling twig. When you turned in the saddle to unlash your slicker, he shied, snorted, and trembled as if you were about to unfurl the scroll of an Apocalypse. When I hear anyone say he does not fear lightning, I still remark inwardly: he has never ridden The Mountain in July. The explosions are fearsome enough, but more so are the smoking slivers of stone that sing past your ear when the bolt crashes into a rimrock. Still more so are the splinters that fly when a bolt explodes a pine. I remember one gleaming white one, 15 feet long, that stabbed deep into the earth at my feet and stood there humming like a tuning fork. It must be poor life that achieves freedom from fear.” (from “Think Like a Mountain (Green Ideas) (English Edition)” by Aldo Leopold)
#ineedswitzerland #graubünden #graubündenkunst #alpineartist #prättigau #mountainscapes #saatchiartist #iloveswitzerland #inlovewithswitzerland

“Tumbling into Turquoise”
oil on board framed in re-used old wood from the barns in Klosters @retokradolfer
30cm x 40cm
AVAILABLE for sale @muellerfamilyoffice in Davos

“The mountain in summer had as many moods as there were days and weathers; the dullest rider, as well as his horse, felt these moods to the marrow of his bones. On a fair morning the mountain invited you to get down and roll in its new grass and flowers (your less inhibited horse did just this if you failed to keep a tight rein). Every living thing sang, chirped, and burgeoned. Massive pines and firs, storm-tossed these many months, soaked up the sun in towering dignity. Tassel-eared squirrels, poker-faced but exuding emotion with voice and tail, told you insistently what you already knew full well: that never had there been so rare a day, or so rich a solitude to spend it in. An hour later, thunderheads may have blotted out the sun, while your erstwhile paradise cowered under the impending lash of lightning, rain, and hail. Black gloom hung poised, as over a bomb with the fuse lighted. Your horse jumped at every rolling pebble, every crackling twig. When you turned in the saddle to unlash your slicker, he shied, snorted, and trembled as if you were about to unfurl the scroll of an Apocalypse. When I hear anyone say he does not fear lightning, I still remark inwardly: he has never ridden The Mountain in July. The explosions are fearsome enough, but more so are the smoking slivers of stone that sing past your ear when the bolt crashes into a rimrock. Still more so are the splinters that fly when a bolt explodes a pine. I remember one gleaming white one, 15 feet long, that stabbed deep into the earth at my feet and stood there humming like a tuning fork. It must be poor life that achieves freedom from fear.” (from “Think Like a Mountain (Green Ideas) (English Edition)” by Aldo Leopold)
#ineedswitzerland #graubünden #graubündenkunst #alpineartist #prättigau #mountainscapes #saatchiartist #iloveswitzerland #inlovewithswitzerland

A “Early Summer Evening”
oil on board 60cm x 40cm framed in re-used old wood from the barns in Klosters
AVAILABLE for sale at Müller Family Office Gallery in Davos

B “Last Light on Monbiel”
acrylic on board 40cm x 60cm framed in re-used old wood from the barns in Klosters
SOLD

C “AutumnAria”
oil on board 30cm x 60cm framed in re-used old wood from the barns in Klosters
AVAILABLE for sale at Müller Family Office Gallery in Davos

D “Blinking in BlissfulBlue”
oil on board 50cm x 40cm framed in re-used old wood from the barns in Klosters
SOLD

E “MidsummerMagic”
oil on board 50cm x 40cm framed in re-used old wood from the barns in Klosters
AVAILABLE for sale at Müller Family Office Gallery in Davos

@muellerfamilyoffice

A “Early Summer Evening”
oil on board 60cm x 40cm framed in re-used old wood from the barns in Klosters
AVAILABLE for sale at Müller Family Office Gallery in Davos

B “Last Light on Monbiel”
acrylic on board 40cm x 60cm framed in re-used old wood from the barns in Klosters
SOLD

C “AutumnAria”
oil on board 30cm x 60cm framed in re-used old wood from the barns in Klosters
AVAILABLE for sale at Müller Family Office Gallery in Davos

D “Blinking in BlissfulBlue”
oil on board 50cm x 40cm framed in re-used old wood from the barns in Klosters
SOLD

E “MidsummerMagic”
oil on board 50cm x 40cm framed in re-used old wood from the barns in Klosters
AVAILABLE for sale at Müller Family Office Gallery in Davos

@muellerfamilyoffice

“Sun-Lit and Snow-Kissed”
oil on canvas triptych -each 60cm x 60cm x 4cm
commission
#oilpaintingcommission #silvrettaglacier #davosklostersmountains #alpineartist #mountainartist #canardhorn #winterscene #klosterschöntal #prättigau #graubündenkunst #saatchiartist #ineedswitzerland #allaboutmountains

“Sun-Lit and Snow-Kissed”
oil on canvas triptych -each 60cm x 60cm x 4cm
commission
#oilpaintingcommission #silvrettaglacier #davosklostersmountains #alpineartist #mountainartist #canardhorn #winterscene #klosterschöntal #prättigau #graubündenkunst #saatchiartist #ineedswitzerland #allaboutmountains

“Last Light on Monbiel”
acrylic on board 40cm x 60cm
February’s setting sun creeps into the Monbiel valley for just a short while and the mountains glow
#monbiel #canardhorn #silvrettaglacier #klosterschöntal #winterevening #prättigau #alpineartist #graubündenkunst #mountainartist #mountainglow

“Last Light on Monbiel”
acrylic on board 40cm x 60cm
February’s setting sun creeps into the Monbiel valley for just a short while and the mountains glow
#monbiel #canardhorn #silvrettaglacier #klosterschöntal #winterevening #prättigau #alpineartist #graubündenkunst #mountainartist #mountainglow

Prof Rodney Harber 1940-2024
a great teacher, wise counsel, brilliant creative, durban legend- rest in peace

Prof Rodney Harber 1940-2024
a great teacher, wise counsel, brilliant creative, durban legend- rest in peace

#mountainsky #winterclouds #passingsnowstorm #mountainlife #gotschnagrat #gotschnaklosters #gotschnablick #gotschna

#mountainsky #winterclouds #passingsnowstorm #mountainlife #gotschnagrat #gotschnaklosters #gotschnablick #gotschna

work in progress- getting to grips with the Canardhorn and all it’s interesting curves..
#wip #saatchiartist #commissionpainting #mountainart #mountainartist #alpineart #graubündenkunst #davosklosters #davosklostersmountains #prättigau #winterinthealps #myswitzerland #ineedswitzerland

work in progress- getting to grips with the Canardhorn and all it’s interesting curves..
#wip #saatchiartist #commissionpainting #mountainart #mountainartist #alpineart #graubündenkunst #davosklosters #davosklostersmountains #prättigau #winterinthealps #myswitzerland #ineedswitzerland

@muellerfamilyoffice #davosklosters #mountainart #alpineartgallery #davos #imaginedragons #thisartistslife

@muellerfamilyoffice #davosklosters #mountainart #alpineartgallery #davos #imaginedragons #thisartistslife

run Frankie run! #neujahrsmarathon2024
-the best gift for 2024 is having him fully recovered!
Forever grateful to Dr Victor E Staartjes and the incredible team at @op.pflege.unispitalzuerich 🙏
@universitaetsspitalzuerich

run Frankie run! #neujahrsmarathon2024
-the best gift for 2024 is having him fully recovered!
Forever grateful to Dr Victor E Staartjes and the incredible team at @op.pflege.unispitalzuerich 🙏
@universitaetsspitalzuerich

“Blinking in BlissfulBlue”
oil on board 50cm x 40cm

a cloudless day in February after days of gloomy grey snowfall
fresh, crisp, blinding light on an icing sugared landscape
@muellerfamilyoffice #davos #paintingoftheday #graubünden #winterscene #alpineart

“Blinking in BlissfulBlue”
oil on board 50cm x 40cm

a cloudless day in February after days of gloomy grey snowfall
fresh, crisp, blinding light on an icing sugared landscape
@muellerfamilyoffice #davos #paintingoftheday #graubünden #winterscene #alpineart

#ontheeaseltoday -first layer of paint on two pieces of a triptych commission #davosklostersmountains #silvrettaglacier #monbiel #paintingoftheday #alpineart #mountainartist

#ontheeaseltoday -first layer of paint on two pieces of a triptych commission #davosklostersmountains #silvrettaglacier #monbiel #paintingoftheday #alpineart #mountainartist

My education this year was reading these incredible books- “Askari” by Jacob Dlamini and “The Plot to Save South Africa” by Justice Malala both haunted me so much I read them each three times, trying to reconstruct my own place and awareness of the events. “Winnie and Nelson” by Jonny Streinberg is a masterfully written and intimate revelation of the relationship between two very brave human beings. Lastly “Four Meditations on Happiness” by Michael Hampe, philosophy Professor at ETH, who writes beautifully about the stuff that matters most.
#theplottosavesouthafrica #justicemalala #askari #jacobdlamini #jonnysteinberg #happinessphilosophy

My education this year was reading these incredible books- “Askari” by Jacob Dlamini and “The Plot to Save South Africa” by Justice Malala both haunted me so much I read them each three times, trying to reconstruct my own place and awareness of the events. “Winnie and Nelson” by Jonny Streinberg is a masterfully written and intimate revelation of the relationship between two very brave human beings. Lastly “Four Meditations on Happiness” by Michael Hampe, philosophy Professor at ETH, who writes beautifully about the stuff that matters most.
#theplottosavesouthafrica #justicemalala #askari #jacobdlamini #jonnysteinberg #happinessphilosophy

wide horizons under an African sky
#kwazulunatal #angelwingclouds #babanangogamereserve #zulurocklodge

wide horizons under an African sky
#kwazulunatal #angelwingclouds #babanangogamereserve #zulurocklodge

first charcoal sketch of a new commission of a winter triptych #ontheeaseltoday #paintingoftheday

first charcoal sketch of a new commission of a winter triptych #ontheeaseltoday #paintingoftheday

I start with an umber sketch on a warm background, and work up the layers of colour to capture that moment of awe I felt- so that you may also experience the magic of this place.
#davosklostersmountains #alpineartist #paintingoftheday

I start with an umber sketch on a warm background, and work up the layers of colour to capture that moment of awe I felt- so that you may also experience the magic of this place.
#davosklostersmountains #alpineartist #paintingoftheday

save the date..
Sunday 29th October

save the date..
Sunday 29th October

“MagentaMinuet”
oil on board 40cm x 30cm
summer’s high alpine meadows full of bright magenta clusters of Rhododendron ferrugineum.
#berghausvereina #davosklostersmountains #swissalps #paintingoftheday #alpenrosen #summerinthealps

“MagentaMinuet”
oil on board 40cm x 30cm
summer’s high alpine meadows full of bright magenta clusters of Rhododendron ferrugineum.
#berghausvereina #davosklostersmountains #swissalps #paintingoftheday #alpenrosen #summerinthealps

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@amanda.j.west.art

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amanda.j.west.art@gmail.com

"Arabesque"

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